Zone In Gallery

Each Zig piece begins with a single, continuous breath.

A rhythmic loop is set in motion — sounds are added and released in real time, forming a field rather than a fixed composition.

I see it like a canvas spinning on its center — paint can be added, softened, or removed while the motion continues.

Nothing is locked in place.
Sounds can stay for a while, fade out, or disappear without interrupting the flow.

The visuals evolve alongside the music — sometimes showing the source, sometimes dissolving it — allowing sound and motion to settle into a calm, immersive space.

Nothing is scripted.
Nothing is replayed.

What remains is a moment shaped by rhythm, breath, and attention.